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Gilda Santo Lukas merupakan nama paling umum untuk gilda kota bagi pelukis dan seniman lain di Eropa modern awal terutam

Gilda Santo Lukas

Gilda Santo Lukas merupakan nama paling umum untuk gilda kota bagi pelukis dan seniman lain di Eropa modern awal, terutama di Negara-negara Dataran Rendah. Mereka dinamai untuk menghormati Penginjil Lukas, santo pelindung para seniman, yang diakui oleh Yohanes dari Damaskus sebagai seniman yang melukis potret sang Perawan.

Jan Mabuse, Santo Lukas melukis sang Perawan, skt. 1520-25). Kunsthistorisches Museum, Wina
Santo Lukas melukis sang Perawan, skt. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. Lukisan ini adalah subjek klasik untuk lukisan yang diberikan kepada gilda.

Lihat pula sunting

Catatan sunting

  1. Howe.

Referensi sunting

  • Bartrum, Giulia. Albrecht Dürer and His Legacy. British Museum Press (2002). ISBN 0-7141-2633-0.
  • Baudouin, Frans. "Metropolis of the Arts." In: Antwerp's Golden Age: the metropolis of the West in the 16th and 17th centuries, Antwerp, 1973, pp. 23–33.
  • Belkin, Kristin Lohse. Rubens. Phaidon Press, 1998. ISBN 0-7148-3412-2.
  • Campbell, Lorne. "The Art Market in the Southern Netherlands in the Fifteenth Century." In: The Burlington Magazine, vol. 118, no. 877. (Apr., 1976), pp. 188–198.
  • Farquhar, J.D. "Identity in an Anonymous Age: Bruges Manuscript Illuminators and their Signs." Viator, vol 11 (1980), pp. 371–83.
  • Ford-Wille, Clare. "Antwerp, guild of S. Luke." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford University Press, 2001. Grove Art Online. Oxford University Press, 2005. [accessed May 18, 2007]
  • Franits, Wayne, Dutch Seventeenth-Century Genre Painting, Yale UP, 2004, ISBN 0-300-10237-2.
  • Gibson,Walter S. "Artists and Rederijkers in the Age of Bruegel." In: The Art Bulletin, vol. 63, no. 3. (Sep., 1981), pp. 426–446.
  • Heppner, Albert. "The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries." In: Journal of the Warburg and Courtauld Institutes, vol. 3, no. 1/2. (Oct., 1939 - Jan., 1940), pp. 22–48.
  • Howe, Eunice D. "Luke, St" Grove Art Online. Oxford University Press, [accessed May 18, 2007]
  • Hughes, Anthony."'An Academy for Doing'. I: The Accademia del Disegno, the Guilds and the Principate in Sixteenth-Century Florence." Oxford Art Journal, vol. 9, no. 1. (1986), pp. 3–10.
  • Jack, Mary Ann. "The Accademia del Disegno in Late Renaissance Florence." In: Sixteenth Century Journal, vol. 7, no. 2. (Oct., 1976), pp. 3–20.
  • King, Catherine. "National Gallery 3902 and the Theme of Luke the Evangelist as Artist and Physician." In: Zeitschrift für Kunstgeschichte, vol. 48., no. 2. (1985), pp. 249–255.
  • Mather, Rufus Graves. "Documents Mostly New Relating to Florentine Painters and Sculptors of the Fifteenth Century." In: The Art Bulletin, vol. 30, no. 1. (Mar., 1948), pp. 20–65.
  • Montias, John Michael. "The Guild of St. Luke in 17th-Century Delft and the Economic Status of Artists and Artisans." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 9, no. 2. (1977), pp. 93–105.
  • Olds, Clifton. "Jan Gossaert's 'St. Luke Painting the Virgin': A Renaissance Artist's Cultural Literacy." In: Journal of Aesthetic Education, vol. 24, no. 1, Special Issue: Cultural Literacy and Arts Education. (Spring, 1990), pp. 89–96.
  • Prak, Maarten. "Guilds and the Development of the Art Market during the Dutch Golden Age." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 30, no. 3/4. (2003), pp. 236–251.
  • Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995, ISBN 0-300-07451-4
  • Smith, Pamela H. "Science and Taste: Painting, Passions, and the New Philosophy in Seventeenth-Century Leiden." In: Isis, vol. 90, no. 3. (Sep., 1999), pp. 421–461.

Bacaan selanjutnya sunting

  • Stabel, Peter, "Organisation corporative et production d'oeuvres d'art à Bruges à la fin du moyen âge et au début des temps modernes", in: Le Moyen Âge. Revue d'histoire et de philologie, 113, 1, 2007, pp. 91–134.

Pranala luar sunting

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Tanggal penerbitan:
Gilda Santo Lukas merupakan nama paling umum untuk gilda kota bagi pelukis dan seniman lain di Eropa modern awal terutama di Negara negara Dataran Rendah Mereka dinamai untuk menghormati Penginjil Lukas santo pelindung para seniman yang diakui oleh Yohanes dari Damaskus sebagai seniman yang melukis potret sang Perawan 1 Jan Mabuse Santo Lukas melukis sang Perawan skt 1520 25 Kunsthistorisches Museum Wina Santo Lukas melukis sang Perawan skt 1435 1440 137 5 x 110 8cm Museum of Fine Arts Boston Lukisan ini adalah subjek klasik untuk lukisan yang diberikan kepada gilda Daftar isi 1 Lihat pula 2 Catatan 3 Referensi 4 Bacaan selanjutnya 5 Pranala luarLihat pula suntingGilda Liga Hansa Pasar tradisional Pedagang Eceran Akademi Seni Rupa Kerajaan Antwerpen didirikan pada 1663Catatan sunting Howe Referensi suntingBartrum Giulia Albrecht Durer and His Legacy British Museum Press 2002 ISBN 0 7141 2633 0 Baudouin Frans Metropolis of the Arts In Antwerp s Golden Age the metropolis of the West in the 16th and 17th centuries Antwerp 1973 pp 23 33 Belkin Kristin Lohse Rubens Phaidon Press 1998 ISBN 0 7148 3412 2 Campbell Lorne The Art Market in the Southern Netherlands in the Fifteenth Century In The Burlington Magazine vol 118 no 877 Apr 1976 pp 188 198 Farquhar J D Identity in an Anonymous Age Bruges Manuscript Illuminators and their Signs Viator vol 11 1980 pp 371 83 Ford Wille Clare Antwerp guild of S Luke The Oxford Companion to Western Art Ed Hugh Brigstocke Oxford University Press 2001 Grove Art Online Oxford University Press 2005 accessed May 18 2007 Franits Wayne Dutch Seventeenth Century Genre Painting Yale UP 2004 ISBN 0 300 10237 2 Gibson Walter S Artists and Rederijkers in the Age of Bruegel In The Art Bulletin vol 63 no 3 Sep 1981 pp 426 446 Heppner Albert The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries In Journal of the Warburg and Courtauld Institutes vol 3 no 1 2 Oct 1939 Jan 1940 pp 22 48 Howe Eunice D Luke St Grove Art Online Oxford University Press accessed May 18 2007 Hughes Anthony An Academy for Doing I The Accademia del Disegno the Guilds and the Principate in Sixteenth Century Florence Oxford Art Journal vol 9 no 1 1986 pp 3 10 Jack Mary Ann The Accademia del Disegno in Late Renaissance Florence In Sixteenth Century Journal vol 7 no 2 Oct 1976 pp 3 20 King Catherine National Gallery 3902 and the Theme of Luke the Evangelist as Artist and Physician In Zeitschrift fur Kunstgeschichte vol 48 no 2 1985 pp 249 255 Mather Rufus Graves Documents Mostly New Relating to Florentine Painters and Sculptors of the Fifteenth Century In The Art Bulletin vol 30 no 1 Mar 1948 pp 20 65 Montias John Michael The Guild of St Luke in 17th Century Delft and the Economic Status of Artists and Artisans In Simiolus Netherlands Quarterly for the History of Art vol 9 no 2 1977 pp 93 105 Olds Clifton Jan Gossaert s St Luke Painting the Virgin A Renaissance Artist s Cultural Literacy In Journal of Aesthetic Education vol 24 no 1 Special Issue Cultural Literacy and Arts Education Spring 1990 pp 89 96 Prak Maarten Guilds and the Development of the Art Market during the Dutch Golden Age In Simiolus Netherlands Quarterly for the History of Art vol 30 no 3 4 2003 pp 236 251 Slive Seymour Dutch Painting 1600 1800 Yale UP 1995 ISBN 0 300 07451 4 Smith Pamela H Science and Taste Painting Passions and the New Philosophy in Seventeenth Century Leiden In Isis vol 90 no 3 Sep 1999 pp 421 461 Bacaan selanjutnya suntingStabel Peter Organisation corporative et production d oeuvres d art a Bruges a la fin du moyen age et au debut des temps modernes in Le Moyen Age Revue d histoire et de philologie 113 1 2007 pp 91 134 Pranala luar sunting nbsp Wikimedia Commons memiliki media mengenai Guilds of St Luke Feature on the Delft Guild in the 17th century Diarsipkan 2023 06 21 di Wayback Machine Article on Dutch Guilds from Codart Diperoleh dari https id wikipedia org w index php title Gilda Santo Lukas amp oldid 23963568