Musik bising

Musik bising atau musik berisik adalah genre musik yang dicirikan oleh penggunaan bunyi yang ekspresif dalam konteks musiknya. Genre musik ini cenderung menantang perbedaan yang dibuat dalam praktik musik konvensional dan mengaburkan batas antara suara musik dan non-musik. Musik kebisingan mencakup berbagai gaya musik dan praktik kreatif berbasis suara yang menampilkan kebisingan sebagai aspek utama.

Musik bising dapat menampilkan suara yang dihasilkan secara akustik maupun elektronik, serta alat musik, baik alat musik tradisional maupun alat musik non konvensional. Musik ini mungkin menggabungkan suara mesin, teknik vokal non-musik, media audio yang dimanipulasi secara fisik, rekaman suara yang diproses, rekaman lapangan, kebisingan yang dihasilkan komputer, proses stokastik, dan sinyal elektronik lain yang dihasilkan secara acak seperti distorsi, umpan balik, statis, desis dan dengungan. Musik ini mungkin juga ada penekanan pada tingkat volume tinggi dan potongan yang panjang dan berkesinambungan. Secara lebih umum, musik yang bising mungkin mengandung aspek-aspek seperti improvisasi, teknik yang diperluas, hiruk-pikuk, dan ketidaktentuan. Dalam banyak kasus, musik ini mengabaikan penggunaan melodi, harmoni, dan ritme.

Catatan

1. Priest, Eldritch. "Music Noise" in Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, p. 132. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013.
2. Chris Atton, "Fan Discourse and the Construction of Noise Music as a Genre", Journal of Popular Music Studies 23, no. 3 (September 2011): 324–42. Citation on 326.
3. Torben Sangild, The Aesthetics of Noise (Copenhagen: Datanom, 2002):^{[halaman dibutuhkan]}. ISBN 87-988955-0-8. Reprinted at UbuWeb.
4. Paul Hegarty, Noise/Music: A History (London: Continuum International Publishing Group, 2007): 3–19.
5. Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge, Ma.: MIT Press, 2009): 60–76.

Referensi

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• by De Maria, Walter (1968)]^{[perlu rujukan lengkap]}
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Bacaan lanjutan

• Álvarez-Fernández, Miguel. "Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music". In ICMC 2005: Free Sound Conference Proceedings. Barcelona: International Computer Music Conference; International Computer Music Association; SuviSoft Oy Ltd., 2005.
• Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., 2012
• Barthes, Roland. "Listening". In his The Responsibility of Forms: Critical Essays on Music, Art, and Representation, translated from the French by Richard Howard. New York: Hill and Wang, 1985. ISBN 0-8090-8075-3 Reprinted Berkeley: University of California Press, 1991. ISBN 0-520-07238-3 (pbk.)
• Brassier, Ray. "Genre is Obsolete". Multitudes, no. 28 (Spring 2007) Multitudes.samizdat.net.
• Cobussen, Marcel. "Noise and Ethics: On Evan Parker and Alain Badiou". Culture, Theory & Critique, 46(1) pp. 29–42. 2005.
• Collins, Nicolas (ed.) "Leonardo Music Journal" Vol 13: "Groove, Pit and Wave: Recording, Transmission and Music" 2003.
• Court, Paula. New York Noise: Art and Music from the New York Underground 1978–88. London: Soul Jazz Publishing, in association with Soul Jazz Records, 2007. ISBN 0-9554817-0-8
• DeLone, Leon (ed.), Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall, 1975.
• Demers, Joanna. Listening Through The Noise. New York: Oxford University Press. 2010.
• Dempsey, Amy. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams, 2002.
• Doss, Erika. Twentieth-Century American Art. Oxford and New York: Oxford University Press, 2002
• Foege, Alec. Confusion Is Next: The Sonic Youth Story. New York: St. Martin's Press, 1994.
• Gere, Charlie. Digital Culture, second edition. London: Reaktion, 2000. ISBN 1-86189-388-4
• Goldberg, RoseLee. Performance: Live Art Since 1960. New York: Harry N. Abrams, 1998.
• Goodman, Steve a.k.a. kode9. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, Ma.: MIT Press, 2010.
• Hainge, Greg (ed.). Culture, Theory and Critique 46, no. 1 (Issue on Noise, 2005)
• Harrison, Charles, and Paul Wood. Art in Theory, 1900–2000: An Anthology of Changing Ideas. Oxford: Blackwell Publishing, 1992.
• Harrison, Thomas J. 1910: The Emancipation of Dissonance. Berkeley: University of California Press, 1996.
• Hegarty, Paul . Talk given to Visual Arts Society at University College Cork, 2005.
• Hegarty, Paul. Noise/Music: A History. New York, London: Continuum, 2007. ISBN 978-0-8264-1726-8 (cloth); ISBN 978-0-8264-1727-5 (pbk).
• Hensley, Chad. "The Beauty of Noise: An Interview with Masami Akita of Merzbow". In Audio Culture: Readings in Modern Music, edited by C. Cox and Dan Warner, pp. 59–61. New York: Continuum, 2004.
• Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music, 2nd English edition, translated by Alexander J. Ellis. New York: Longmans & Co. 1885. Reprinted New York: Dover Publications, 1954.
• Hinant, Guy-Marc. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments". In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 43–47
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Pranala luar

Wikimedia Commons memiliki media mengenai Noise music.

• Nor Noise 119 mins 2004 documentary film by Tom Hovinbole at UbuWeb.
• Noise A short noise music documentary film by N.O. Smith
• Freshwidow.com, Marcel Duchamp playing and discussing his noise ready-made With Hidden Noise
• on Ctheory.net
• The Future of Music: Credo, John Cage (1937) from Silence, John Cage, Wesleyan University Press
• Alphamanbeast's noise directory Information base with links to noise artists and labels
• White noise in wave(.wav) format (1 minute)
• La Monte Young's 89 VI 8 c. 1:42–1:52 AM Paris Encore (10:33) on Tellus Audio Cassette Magazine archive hosted at UbuWeb
• Noise generator to explore different types of noise
• PNF-library.org, Free Noise Manifesto
• Torben Sangild: "The Aesthetics of Noise"
• UBU.com, mp3 audio files of the noise music of Luigi Russolo on UbuWeb
• List of noise bands in the Noise Wiki created by noise artists for noise artists
• #13 Power Electronics at Tellus Audio Cassette Magazine housed at UbuWeb
• MP3 files by harsh noise artists
• UBU.com, Wolf Vostell's De/Collage LP Fluxus Multhipla, Italy (1980) at UbuWeb
• , noise music of Antonio Russolo from Tellus Audio Cassette Magazine
• , Noise: NZ/Japan
• Walter De Maria Ocean Music (1968)
• Torben Sangild: "The Aesthetics of Noise"
• Japanoise.net 2012-03-26 di Wayback Machine.
• , Paul Hegarty, General Ecology of Sound: Japanese Noise Music as Low Form (2005)
• , audio excerpt from The Monotone Symphony by Yves Klein
• UBU.com, Genesis P-Orridge on the origins of Throbbing Gristle: interview by Tony Oursler on UbuWeb
• UBU.com, Group Ongaku (1960–61) at Ubuweb Recorded in 1960 & 1961 at Sogetsu Art Center, Tokyo
• RWM.macba.cat, mp3 radio lecture on Fluxus noise music
• Continuo.wordpress.com, Sound recordings from Nicolas Schöffer's spatiodynamic sculptures sourced from the DVD of an exhibition at Espace Gantner, France, 2004, titled Précurseur de l'art cybernétique.
• Marc Weidenbaum, "Classic Tellus Noise MP3s (Controlled Bleeding, Merzbow, etc.)", Classic Tellus Audio Cassette Magazine Noise
• Nam June Paik in UbuWeb Sound