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Atonalitas Atonal beralih ke halaman ini Untuk penguasa kerajaan Mixtec dari Coixtlahuaca lihat Atonal II dalam pengarti

Atonalitas

"Atonal" beralih ke halaman ini. Untuk penguasa kerajaan Mixtec dari Coixtlahuaca, lihat Atonal II.

Atonalitas dalam pengartian terluasnya adalah musik yang kurang nada utama, atau kunci. Dalam pengartian ini, atonalitas biasanya ditujukan kepada komposisi-komposisi yang dibuat dari sekitar tahun 1908 sampai saat ini, dimana sejumlah karya berfokus pada sebuah irama yang tak memakai nada utama.

Akord Mistik Alexander Scriabin.

Para komponis akhir abad ke-19 dan awal abad ke-20 seperti Alexander Scriabin, Claude Debussy, Béla Bartók, Paul Hindemith, Sergei Prokofiev, Igor Stravinsky, dan Edgard Varèse menulis musik yang dikatakan bersifat atonal, baik secara keseluruhan atau sebagian (Baker 1980; Baker 1986; Bertram 2000; Griffiths 2001; Kohlhase 1983; Lansky and Perle 2001; Obert 2004; Orvis 1974; Parks 1985; Rülke 2000; Teboul 1995–96; Zimmerman 2002).

Sumber sunting

  • Ansermet, Ernest. 1961. Les fondements de la musique dans la conscience humaine. 2 vols. Neuchâtel: La Baconnière.
  • Babbitt, Milton. 1991. "A Life of Learning: Charles Homer Haskins Lecture for 1991". ACLS Occasional Paper 17. New York: American Council of Learned Societies.
  • Baker, James M. 1980. "Scriabin's Implicit Tonality". "Music Theory Spectrum" 2:1–18.
  • Baker, James M. 1986. The Music of Alexander Scriabin. New Haven: Yale University Press.
  • Bertram, Daniel Cole. 2000. "Prokofiev as a Modernist, 1907–1915". PhD diss. New Haven: Yale University.
  • DeLone, Peter, and Gary Wittlich (eds.). 1975. Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall. ISBN 0-13-049346-5.
  • Du Noyer, Paul (ed.). 2003. "Contemporary", in The Illustrated Encyclopedia of Music: From Rock, Jazz, Blues and Hip Hop to Classical, Folk, World and More, pp. 271–272. London: Flame Tree Publishing. ISBN 1-904041-70-1.
  • Forte, Allen. 1977. The Structure of Atonal Music. New Haven and London: Yale University Press. ISBN 978-0-300-02120-2.
  • Griffiths, Paul. 2001. "Varèse, Edgard [Edgar] (Victor Achille Charles)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Grout, Donald Jay. 1960. A History of Western Music. New York: W. W. Norton.
  • Haydin, Berkat, and Stefan Esser. 2009 (Joseph Marx Society). Chandos, liner notes to "Joseph Marx: Orchestral Songs and Choral Works (accessed 23 October 2014.
  • Katz, Adele T. 1945. Challenge to Musical Traditions: A New Concept of Tonality. New York: Alfred A. Knopf, Inc. Reprint edition, New York: Da Capo, 1972.
  • Kennedy, Michael. 1994. "Atonal." The Oxford Dictionary of Music. Oxford & New York: Oxford University Press. ISBN 0-19-869162-9.
  • Kohlhase, Hans. 1983. "Aussermusikalische Tendenzen im Frühschaffen Paul Hindemiths. Versuch uber die Kammermusik Nr. 1 mit Finale 1921". Hamburger Jahrbuch für Musikwissenschaft 6:183–223.
  • Kostka, Stefan and Payne, Dorothy (1995). Tonal Harmony. Third Edition. ISBN 0-07-300056-6.
  • Lansky, Paul, and George Perle. 2001. "Atonality §2: Differences between Tonality and Atonality". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Lansky, Paul, George Perle, and Dave Headlam. 2001. "Atonality". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Meyer, Leonard B. 1967. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Chicago and London: University of Chicago Press. (Second edition 1994.)
  • Mosch, Ulrich. 2004. Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' «Le Marteau sans maître». Saarbrücken: Pfau-Verag.
  • Obert, Simon. 2004. "Zum Begriff Atonalität: Ein Vergleich von Anton Weberns 'Sechs Bagatellen für Streichquartett' op. 9 und Igor Stravinskijs 'Trois pièces pour quatuor à cordes'". In Das Streichquartett in der ersten Hälfte des 20. Jahrhunderts: Bericht über das Dritte Internationale Symposium Othmar Schoeck in Zürich, 19. und 20. Oktober 2001. Schriftenreihe der Othmar Schoeck-Gesellschaft 4, edited by Beat A. Föllmi and Michael Baumgartner. Tutzing: Schneider.
  • Orvis, Joan. 1974. "Technical and stylistic features of the piano etudes of Stravinsky, Bartók, and Prokofiev". DMus Piano pedagogy: Indiana University.
  • Oster, Ernst. 1960. "Re: A New Concept of Tonality (?)", Journal of Music Theory 4:96.
  • Parks, Richard S. 1985. "Tonal Analogues as Atonal Resources and Their Relation to form in Debussy's Chromatic Etude". Journal of Music Theory 29, no. 1 (Spring): 33–60.
  • Perle, George. 1962. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern. University of California Press. ISBN 0-520-07430-0.
  • Perle, George. 1977. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern. Fourth Edition. Berkeley, Los Angeles, and London: University of California Press. ISBN 0-520-03395-7.
  • Rahn, John. 1980. Basic Atonal Theory. New York: Longman, Inc. ISBN 0-582-28117-2.
  • Stegemann, Benedikt. 2013. Theory of Tonality. Theoretical Studies. Wilhelmshaven: Noetzel. ISBN 978-3-7959-0963-5.
  • Rülke, Volker. 2000. "Bartóks Wende zur Atonalität: Die "Études" op. 18". Archiv für Musikwissenschaft 57, no. 3:240–63.
  • Schoenberg, Arnold. 1978. Theory of Harmony, translated by Roy Carter. Berkeley & Los Angeles: University of California Press.
  • Seeger, Charles. 1930. "On Dissonant Counterpoint." Modern Music 7, no. 4:25–31.
  • Simms, Bryan R. 1986. Music of the Twentieth Century: Style and Structure. New York: Schirmer Books. ISBN 0-02-872580-8.
  • Swift, Richard. 1982–83. "A Tonal Analog: The Tone-Centered Music of George Perle". Perspectives of New Music 21, nos. 1/2 (Fall-Winter/Spring-Summer): 257–84. (Subscription Access.)
  • Teboul, Jean-Claude. 1995–96. "Comment analyser le neuvième interlude en si♭ du "Ludus tonalis" de Paul Hindemith? (Hindemith ou Schenker?) ". Ostinato Rigore: Revue Internationale d'Études Musicales, nos. 6–7:215–32.
  • Webern, Anton. 1963. The Path to the New Music, translated by Leo Black. Bryn Mawr. Pennsylvania: Theodore Presser; London: Universal Edition.
  • Westergaard, Peter. 1963. "Webern and 'Total Organization': An Analysis of the Second Movement of Piano Variations, Op. 27." Perspectives of New Music 1, no. 2 (Spring): 107–20.
  • Westergaard, Peter. 1968. "Conversation with Walter Piston". Perspectives of New Music 7, no.1 (Fall-Winter) 3–17.
  • Xenakis, Iannis. 1971. Formalized Music: Thought and Mathematics in Composition. Bloomington and London: Indiana University Press. Revised edition, 1992. Harmonologia Series No. 6. Stuyvesant, NY: Pendragon Press. ISBN 0-945193-24-6.
  • Zimmerman, Daniel J. 2002. "Families without Clusters in the Early Works of Sergei Prokofiev". PhD diss. Chicago: University of Chicago.

Bacaan tambahan sunting

  • Beach, David (ed.). 1983. "Schenkerian Analysis and Post-Tonal Music", Aspects of Schenkerian Theory. New Haven: Yale University Press.
  • Dahlhaus, Carl. 1966. "Ansermets Polemik gegen Schönberg." Neue Zeitschrift für Musik 127, no. 5:179–83.
  • Forte, Allen. 1963. "Context and Continuity in an Atonal Work: A Set-Theoretic Approach". Perspectives of New Music 1, no. 2 (Spring): 72–82.
  • Forte, Allen. 1964. "A Theory of Set-Complexes for Music". Journal of Music Theory 8, no. 2 (Winter): 136–83.
  • Forte, Allen. 1965. "The Domain and Relations of Set-Complex Theory". Journal of Music Theory 9, no. 1 (Spring): 173–80.
  • Forte, Allen. 1972. Sets and Nonsets in Schoenberg's Atonal Music. Perspectives of New Music 11, no. 1 (Fall–Winter): 43–64.
  • Forte, Allen. 1978a. The Harmonic Organization of The Rite of Spring. New Haven : Yale University Press. ISBN 978-0-300-02201-8.
  • Forte, Allen. 1978b. "Schoenberg's Creative Evolution: The Path to Atonality". The Musical Quarterly 64, no. 2 (April): 133–76.
  • Forte, Allen. 1980. "Aspects of Rhythm in Webern's Atonal Music". Music Theory Spectrum 2:90–109.
  • Forte, Allen. 1998. The Atonal Music of Anton Webern. New Haven and London: Yale University Press. ISBN 978-0-300-07352-2.
  • Forte, Allen, and Roy Travis. 1974. "Analysis Symposium: Webern, Orchestral Pieces (1913): Movement I ('Bewegt')". Journal of Music Theory 18, no. 1 (Spring, pp. 2–43.
  • Krausz, Michael. 1984. "The Tonal and the Foundational: Ansermet on Stravinsky". The Journal of Aesthetics and Art Criticism 42:383–86.
  • Krenek, Ernst. 1953. "Is the Twelve-Tone Technique on the Decline?" The Musical Quarterly 39, no 4 (October): 513–27.
  • Philippot, Michel. 1964. "Ansermet’s Phenomenological Metamorphoses." Translated by Edward Messinger. Perspectives of New Music 2, no. 2 (Spring-Summer): 129–40. Originally published as Critique. Revue Générale des Publications Françaises et Etrangères, no. 186 (November 1962).
  • Radano, Ronald M. 1993. New Musical Figurations: Anthony Braxton's Cultural Critique Chicago: University of Chicago Press.

Pranala luar sunting

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Atonal beralih ke halaman ini Untuk penguasa kerajaan Mixtec dari Coixtlahuaca lihat Atonal II Atonalitas dalam pengartian terluasnya adalah musik yang kurang nada utama atau kunci Dalam pengartian ini atonalitas biasanya ditujukan kepada komposisi komposisi yang dibuat dari sekitar tahun 1908 sampai saat ini dimana sejumlah karya berfokus pada sebuah irama yang tak memakai nada utama Akord Mistik Alexander Scriabin Para komponis akhir abad ke 19 dan awal abad ke 20 seperti Alexander Scriabin Claude Debussy Bela Bartok Paul Hindemith Sergei Prokofiev Igor Stravinsky dan Edgard Varese menulis musik yang dikatakan bersifat atonal baik secara keseluruhan atau sebagian Baker 1980 Baker 1986 Bertram 2000 Griffiths 2001 Kohlhase 1983 Lansky and Perle 2001 Obert 2004 Orvis 1974 Parks 1985 Rulke 2000 Teboul 1995 96 Zimmerman 2002 Sumber suntingAnsermet Ernest 1961 Les fondements de la musique dans la conscience humaine 2 vols Neuchatel La Baconniere Babbitt Milton 1991 A Life of Learning Charles Homer Haskins Lecture for 1991 ACLS Occasional Paper 17 New York American Council of Learned Societies Baker James M 1980 Scriabin s Implicit Tonality Music Theory Spectrum 2 1 18 Baker James M 1986 The Music of Alexander Scriabin New Haven Yale University Press Bertram Daniel Cole 2000 Prokofiev as a Modernist 1907 1915 PhD diss New Haven Yale University DeLone Peter and Gary Wittlich eds 1975 Aspects of Twentieth Century Music Englewood Cliffs New Jersey Prentice Hall ISBN 0 13 049346 5 Du Noyer Paul ed 2003 Contemporary in The Illustrated Encyclopedia of Music From Rock Jazz Blues and Hip Hop to Classical Folk World and More pp 271 272 London Flame Tree Publishing ISBN 1 904041 70 1 Forte Allen 1977 The Structure of Atonal Music New Haven and London Yale University Press ISBN 978 0 300 02120 2 Griffiths Paul 2001 Varese Edgard Edgar Victor Achille Charles The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers Grout Donald Jay 1960 A History of Western Music New York W W Norton Haydin Berkat and Stefan Esser 2009 Joseph Marx Society Chandos liner notes to Joseph Marx Orchestral Songs and Choral Works accessed 23 October 2014 Katz Adele T 1945 Challenge to Musical Traditions A New Concept of Tonality New York Alfred A Knopf Inc Reprint edition New York Da Capo 1972 Kennedy Michael 1994 Atonal The Oxford Dictionary of Music Oxford amp New York Oxford University Press ISBN 0 19 869162 9 Kohlhase Hans 1983 Aussermusikalische Tendenzen im Fruhschaffen Paul Hindemiths Versuch uber die Kammermusik Nr 1 mit Finale 1921 Hamburger Jahrbuch fur Musikwissenschaft 6 183 223 Kostka Stefan and Payne Dorothy 1995 Tonal Harmony Third Edition ISBN 0 07 300056 6 Lansky Paul and George Perle 2001 Atonality 2 Differences between Tonality and Atonality The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers Lansky Paul George Perle and Dave Headlam 2001 Atonality The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers Meyer Leonard B 1967 Music the Arts and Ideas Patterns and Predictions in Twentieth Century Culture Chicago and London University of Chicago Press Second edition 1994 Mosch Ulrich 2004 Musikalisches Horen serieller Musik Untersuchungen am Beispiel von Pierre Boulez Le Marteau sans maitre Saarbrucken Pfau Verag Obert Simon 2004 Zum Begriff Atonalitat Ein Vergleich von Anton Weberns Sechs Bagatellen fur Streichquartett op 9 und Igor Stravinskijs Trois pieces pour quatuor a cordes In Das Streichquartett in der ersten Halfte des 20 Jahrhunderts Bericht uber das Dritte Internationale Symposium Othmar Schoeck in Zurich 19 und 20 Oktober 2001 Schriftenreihe der Othmar Schoeck Gesellschaft 4 edited by Beat A Follmi and Michael Baumgartner Tutzing Schneider Orvis Joan 1974 Technical and stylistic features of the piano etudes of Stravinsky Bartok and Prokofiev DMus Piano pedagogy Indiana University Oster Ernst 1960 Re A New Concept of Tonality Journal of Music Theory 4 96 Parks Richard S 1985 Tonal Analogues as Atonal Resources and Their Relation to form in Debussy s Chromatic Etude Journal of Music Theory 29 no 1 Spring 33 60 Perle George 1962 Serial Composition and Atonality An Introduction to the Music of Schoenberg Berg and Webern University of California Press ISBN 0 520 07430 0 Perle George 1977 Serial Composition and Atonality An Introduction to the Music of Schoenberg Berg and Webern Fourth Edition Berkeley Los Angeles and London University of California Press ISBN 0 520 03395 7 Rahn John 1980 Basic Atonal Theory New York Longman Inc ISBN 0 582 28117 2 Stegemann Benedikt 2013 Theory of Tonality Theoretical Studies Wilhelmshaven Noetzel ISBN 978 3 7959 0963 5 Rulke Volker 2000 Bartoks Wende zur Atonalitat Die Etudes op 18 Archiv fur Musikwissenschaft 57 no 3 240 63 Schoenberg Arnold 1978 Theory of Harmony translated by Roy Carter Berkeley amp Los Angeles University of California Press Seeger Charles 1930 On Dissonant Counterpoint Modern Music 7 no 4 25 31 Simms Bryan R 1986 Music of the Twentieth Century Style and Structure New York Schirmer Books ISBN 0 02 872580 8 Swift Richard 1982 83 A Tonal Analog The Tone Centered Music of George Perle Perspectives of New Music 21 nos 1 2 Fall Winter Spring Summer 257 84 Subscription Access Teboul Jean Claude 1995 96 Comment analyser le neuvieme interlude en si du Ludus tonalis de Paul Hindemith Hindemith ou Schenker Ostinato Rigore Revue Internationale d Etudes Musicales nos 6 7 215 32 Webern Anton 1963 The Path to the New Music translated by Leo Black Bryn Mawr Pennsylvania Theodore Presser London Universal Edition Westergaard Peter 1963 Webern and Total Organization An Analysis of the Second Movement of Piano Variations Op 27 Perspectives of New Music 1 no 2 Spring 107 20 Westergaard Peter 1968 Conversation with Walter Piston Perspectives of New Music 7 no 1 Fall Winter 3 17 Xenakis Iannis 1971 Formalized Music Thought and Mathematics in Composition Bloomington and London Indiana University Press Revised edition 1992 Harmonologia Series No 6 Stuyvesant NY Pendragon Press ISBN 0 945193 24 6 Zimmerman Daniel J 2002 Families without Clusters in the Early Works of Sergei Prokofiev PhD diss Chicago University of Chicago Bacaan tambahan suntingBeach David ed 1983 Schenkerian Analysis and Post Tonal Music Aspects of Schenkerian Theory New Haven Yale University Press Dahlhaus Carl 1966 Ansermets Polemik gegen Schonberg Neue Zeitschrift fur Musik 127 no 5 179 83 Forte Allen 1963 Context and Continuity in an Atonal Work A Set Theoretic Approach Perspectives of New Music 1 no 2 Spring 72 82 Forte Allen 1964 A Theory of Set Complexes for Music Journal of Music Theory 8 no 2 Winter 136 83 Forte Allen 1965 The Domain and Relations of Set Complex Theory Journal of Music Theory 9 no 1 Spring 173 80 Forte Allen 1972 Sets and Nonsets in Schoenberg s Atonal Music Perspectives of New Music 11 no 1 Fall Winter 43 64 Forte Allen 1978a The Harmonic Organization of The Rite of Spring New Haven Yale University Press ISBN 978 0 300 02201 8 Forte Allen 1978b Schoenberg s Creative Evolution The Path to Atonality The Musical Quarterly 64 no 2 April 133 76 Forte Allen 1980 Aspects of Rhythm in Webern s Atonal Music Music Theory Spectrum 2 90 109 Forte Allen 1998 The Atonal Music of Anton Webern New Haven and London Yale University Press ISBN 978 0 300 07352 2 Forte Allen and Roy Travis 1974 Analysis Symposium Webern Orchestral Pieces 1913 Movement I Bewegt Journal of Music Theory 18 no 1 Spring pp 2 43 Krausz Michael 1984 The Tonal and the Foundational Ansermet on Stravinsky The Journal of Aesthetics and Art Criticism 42 383 86 Krenek Ernst 1953 Is the Twelve Tone Technique on the Decline The Musical Quarterly 39 no 4 October 513 27 Philippot Michel 1964 Ansermet s Phenomenological Metamorphoses Translated by Edward Messinger Perspectives of New Music 2 no 2 Spring Summer 129 40 Originally published as Metamorphoses Phenomenologiques Critique Revue Generale des Publications Francaises et Etrangeres no 186 November 1962 Radano Ronald M 1993 New Musical Figurations Anthony Braxton s Cultural Critique Chicago University of Chicago Press Pranala luar sunting nbsp Lihat entri atonalitas di kamus bebas Wiktionary nbsp Wikiquote memiliki koleksi kutipan yang berkaitan dengan Atonalitas An Introduction to Atonal Music Analysis Diarsipkan 2021 02 10 di Wayback Machine by Robert T Kelly Atonality Information and the Politics of Perception by Lee Humphries Diperoleh dari https id wikipedia org w index php title Atonalitas amp oldid 22864268